The Beatles’ self-titled ninth studio album, famously dubbed the “White Album,” is as iconic as it is enigmatic. With its simple, all-white cover and sprawling mix of genres, it broke away from the psychedelic vibes of Sgt. Pepper’s and delved into a fragmented, diverse collection of tracks. This double album, released in November 1968, has fascinated fans and critics alike for its eclectic nature and the intense interpersonal dynamics that simmered throughout its creation. Here are five lesser-known facts that reveal even more about this legendary album.

1. The White Album Was Almost Called “A Doll’s House”
During its production, the album bore the working title “A Doll’s House.” The Beatles envisioned a subtle nod to Henrik Ibsen’s famous play, but they scrapped the name when the British band Family released their debut album, Music in a Doll’s House. Ultimately, the understated, stark “White Album” cover — designed by pop artist Richard Hamilton — provided a blank canvas that allowed the music to speak for itself, free from visual associations.

2. Ringo Starr’s Departure Led to a Unique Welcome Back Gift
Tensions ran high throughout the recording sessions, and Ringo Starr briefly left the band in August 1968, frustrated with his role and Paul McCartney’s critical eye on his drumming. He returned a couple of weeks later to find his drum kit adorned with flowers by George Harrison, a warm gesture from his bandmates. This moment of goodwill was one of the few instances of camaraderie amidst an otherwise fraught recording process.

3. Only 16 of the 30 Tracks Feature All Four Beatles
The fractured relationships within the band were mirrored in the recording process itself. Unlike previous albums where the Beatles worked cohesively as a unit, The Beatles saw members recording many tracks solo or in pairs. McCartney even recorded songs like “Blackbird” and “Mother Nature’s Son” alone, while John Lennon’s partner Yoko Ono was a constant presence in the studio, marking a new phase of division within the group.